3 Steps of Writing a TV Pilot
In this article, we’re going to walk you through how to go from idea to outline when writing your TV pilot. Words by Alexie Basil.
In this article, we address the differences between fact and fiction in historical drama screenwriting. Using the miniseries Chernobyl as a case study, we look at the storytelling devices of fictionalized narratives in historical drama.
This article concludes a series on using the three-act-structure for screenwriting. In this final installment, we’ll address how to write the climax of your story in the third act as well as other elements you’ll need to include in the last part of your screenplay.
This is the second installment of a series on writing screenplays following the three-act-structure. In this part, we’ll address all the necessary elements you need to include in the second act of your story before we deal with common problems that cause screenwriters to get stuck in Act II.
This article is part of a series on using the three-act-structure for writing screenplays. After a brief overview of the model of the three acts, this first installment will deal with the setup of your story in the first act.